A heavily weighing ‘Dhindu Thaavadam, Pushpa Duppatti’ and a fragrant Panneer on Lord Namperumal on the occasion of the annual ‘Festival of Flowers’ makes it a colourful and devotional event in the calendar of festivals at the Ranganathaswamy Temple in Srirangam
A daily three hour long process, the special art of making the heavy and colourful Garland has been assigned to the Saathaatha Vaishnavas housed in the Saathara Veethi
ஆமாறுஅறியும்பிரானே
அணிஅரங்கத்தேகிடந்தாய்
ஏமாற்றம்என்னைத்தவிர்ந்தாய்
இருவாட்சிப்பூச்சூட்டவாராய்
After ten long days in Chitrai when Lord Namperumal has been out in the hot sun in Chitrai with daily processions in the morning and evening as part of the Brahmotsavam Celebrations and with an intention to cool him from the summer heat, a 10 day festival of flowers is celebrated at the Ranganathaswamy temple in Srirangam. Each evening of the festival, Lord Namperumal makes his way to the Manal Veli near the Eastern entrance, where he is decked with at least six different varieties of flower garlands specially made for the occasion by skilful artistes housed on the Sathara Street.
Referred to as Pushpa Duppati, the special garland on the occasion of Poochatru Utsavam, involving a special skill and an artistic touch, takes at least three hours to design and create. For over 7 decades Saathaatha Srinivasan had involved himself in this exercise during the summer month presenting the Poochatru Utsavam garland first to Namperumal, followed a week later to Ranganayaki Thayar in the week long utsavam dedicated to her.
Periyazhvaar’s Praise and the Malligai Flowers
The first step in the process is to create a Shakkonam – squared boxes measuring 8columns x 20 rows, by knotting these using a banana stem on a 7feet long 4 feet wide rectangular rod. Over 6kgs of Malligai flowers are spread across this and knotted on a banana thread.
‘திருஉடையாள்மணவாளா
திருவரங்கத்தே கிடந்தாய்
மருவிமம்ணகமழ்கின்ற
மல்லிகைபூச்சூட்டவாராய்’
Designing the Garland with Marikozhunthu
Once the Malligai Garland is designed, the artistes focus on designing the border on all the four sides.
On most days of the Poochatru utsavam, they design the border with Marikozhunthu flowers while on days these are in short supply Tulasi is used on all the sides for a more simplistic border design. With the basic Malligai garland and the border design in place, they get on to the process of adding six different varieties of flowers on to the garland. 2-3 artistes are seen at work each focusing on one aspect of the design and at different corners of the garland.
நிச்சிலும் தீமைகள் செய்வாய்
நீள் திருவேங்கடத்து எந்தாய்
பச்சைத் தமனகத்தோடு
பாதிரிப் பூச்சூட்ட வாராய்
Pushpa Duppati
This Pushpa Duppati is brought by Sathatha Vaishnava from the Sathara Street (housing the wholesale flower market of Srirangam) to the Manal Veli to the loud beating of drums.
Atop the Dhindu Thaavadam, the Lord is draped with a Pushapa Duppati, 3 different flower garlands one after another. A small dose of Panneer is then splashed on the Lord to create a sweet fragrance all around him in the Manal Veli.
Sri Patham Thangis and their Devotion
Given the weight of the flower garlands, this is one of the most difficult utsavams for the Sri Patham Thangis of Srirangam for they stand at the Manal Veli Mandapam carrying the Lord on their shoulders from that stationary position for over two hours.
Also, this fortnight (Perumal and Thayar Poochatru) following the Chitrai Brahmotsavam is one that showcases the devotional touch of the Sri Patham Thangis, for without the slightest twinge in their eyebrows they use this as an opportunity to hold the Lord happily on their shoulder. At the end of the 10 day Utsavam, the shoulder of each of these Sri Patham Thangis is seen with big bruises swollen red like a cricket ball.
Presented to Azhvaars and Acharyas
Unlike other Utsavams, this set of flower garlands is presented as prasadam to Azhvaars and Acharyas at the end of each day’s event as against the usual procedures of presenting/ handing over to the devotee donor.அள்ளிநீவெண்ணைவிழுங்க
அஞ்சாதுஅடியேன்அடித்தேன்
தெள்ளியநீரில்எழுந்த
செங்கழுநீர்சூட்டவாராய்
